Dear Denim Tears Customer,
At Denim Tears, we are committed to the health and well-being of our team members, partners, and customers. As a society, we are facing unprecedented challenges as we all adapt to necessary adjustments surrounding Covid-19.
As a company, we are following the recommendations for operations outlined by the CDC. This requires us to adopt social distancing practices in order to protect our manufacturing partners, production teams, and our valued customers.
We are working diligently to produce and ship quality Denim Tears products around the world, as efficiently as possible, while maintaining our shipping schedules. We apologize for the delays you may experience due to the extended time required for order processing and lead times for shipping. We ask for your patience and understanding in allowing 2-3 weeks for orders to be shipped during these extraordinary times.
We thank you for your continued support and loyalty to Denim Tears.
Please be safe in taking all necessary precautions, as we navigate these challenging times together.
Denim Tears
Fashion world leader Duro Olowu applies his creative process and cosmopolitan eye to a major exhibition drawn from Chicago's great art collections. Nigerian-born British fashion designer Duro Olowu is internationally renowned for his womenswear label launched in 2004 that speaks to a cosmopolitan sensibility informed by his international background and a confident eye for visual disciplines from art to film to popular culture. Olowu's global viewpoint has translated into wildly popular platforms and projects from Instagram postings to revelatory curatorial projects in London and New York that position him at the transcultural crossroads of art, culture, and fashion. Now Olowu turns his gimlet eye on Chicago to curate a show drawn from that metropolis's public and private art collections, anchored by the MCA's holdings. Published on the occasion of Olowu's largest curatorial project, Duro Olowu: Seeing elucidates the designer-cum-curator's creative process as he imagines relationships between artists and objects across time, media, and geography: Naomi Beckwith illuminates Olowu's curatorial process, driven by a voracious appetite for contemporary art and culture brought together in sharp juxtapositions. Valerie Steele situates Olowu's designs within the contemporary fashion world. Ekow Eshun focuses on Olowu's role within Britain's black and Afro-Caribbean creative community. Thelma Golden interviews Olowu about his work as designer, curator, and chronicler of culture and style across the worlds of museums and fashion. And Lynette Yiadom-Boakye creates new fiction for this volume.
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